Fashion designers return to elegance in buzzy London

  The designers at London Fashion Week announced a return to the feminine elegance for Spring / Summer 2013 with flowers, hems and more cuts, a custom look to create modest subtle sexuality.

Outweigh a slowdown in the global economy continues on the fashion industry and luxury London designers were sharp statement pieces that buyers want to invest, based on Mark timeless silhouettes of the 1950s, as seen in Temperley London label, Emilia Wickstead and Vivienne Westwood Red.

"London still feels creative and always so exciting about buzzy energy, but the collections were full of very wearable, luxurious rooms," Pat McNulty, web editor of Cosmopolitan UK, told Reuters in an e-mail, quoting Collections Giles, Burberry Prorsum, Mulberry and Erdem among his favorites.

Floral rich culture of the English landscape is a central theme of this season, as designers incorporate vibrant flowers and floral colors in their palettes.

Floral ornate garments Erdem, Mulberry, Bora Aksu, Temperley London and Corrie Nielsen, who was inspired by botanical gardens and Makoto Murayama Japanese artist.

Designer favored lighter materials for their creations spring, with a mix of organza, cotton, silk and chiffon, but added. An edge with sexy tops and short hemline with Felder Felder, peek-a-boo cutouts at Erdem and leather Mulberry

Fantasy and flair FUTURISTIC

While designers have embraced a more mature look for their clothes, there was still a presence of quirky style that is so unique from London Fashion.

Models Osman shattered the hearts embroidered dresses and separates decorated with sharp edges in bold shades of pink, blue, yellow, black and white.

Vivienne Westwood, the queen of fashion eccentric, gave a home Vamped-up to 1950's Red Label, with models walking the runway in the faces painted floral headdress and compensation for their feminine dresses and costumes.

In addition, the arches rabies Meadham Kirchoff and garden gnomes have littered the entrance to Mulberry.

"It's a liking to her, I think the freshness, I think of England, it is very very young, but mature at the same time feels" the actress Gillian Anderson told Reuters backstage at the Mulberry show Tuesday.

A closer look futuristic Christopher Kane candy-colored dresses found nuts and bolts that hold the Plexiglas draping set, plastic and tape ruffle details.

"Christopher Kane is so inventive in every season nothing like new and feels all that he has never done before," Sarah Harris, editor of British Vogue features fashion, told Reuters, adding that the collection was "so smart."

Shiny metal added a futuristic touch feminine silhouettes in Burberry Prorsum, where models in the saturated silver metal layers with a twist on the classic Burberry trench coat, pink fuschia, cobalt blue, gold and bronze strutted a rainbow palette to create the track.

Jonathan Saunders turned on a ride with simple separates tissue metallic pencil skirts and dresses custom, while Holly Fulton just. A nasty edge with pastel-colored clothes made of PVC flower

Although flowers were a dominant theme in the collections, some designers went through to modern graphics. Paul Smith worked seen geometric block prints in a structured separation, with darker shades of red, yellow and green, even in Roksanda Ilincic, where Mondrian-esque colors were incorporated into the boldly curved blocks on clothes quarter.

Aztec and Maya were printed taken in the middle of the fabulous collection Fyodor Golan, Matthew Williamson in a palette of blues and reds, while Peter Pilotto has tribal designs to a new level, making optical illusions with their impressions monochrome separates and rock layers dresses.

The fashion pack moves Milan on Wednesday before. To Paris for the final season